front cover of Queer Between the Covers
Queer Between the Covers
Histories of Queer Publishing and Publishing Queer Voices
Edited by Leila Kassir and Richard Espley
University of London Press, 2021

Queer Between the Covers presents a history of radical queer publishing and literature from 1880 to the modern day. Chronicling the gay struggle for acceptance and liberation, the book demonstrates how the fight for representation was often waged between the covers of books in a world where spaces for queer expression were taboo. The chapters provide an array of voices and histories from the famous, Derek Jarman and Oscar Wilde, to the lesser known and underappreciated, such as John Wieners and Valerie Taylor. It includes firsthand accounts of seminal moments in queer history, including the birth of Hazard Press and the Defend Gay’s the Word Bookshop campaign in the 1980s.

Queer Between the Covers demonstrates the importance of the book and how the queer community could be brought together through shared literature. The works discussed show the imaginative and radical ways in which queer texts have fought against censorship and repression and could be used as a political tool for organization and production. This study follows key moments in queer literary history, from the powerful community wide demonstrations for Gay’s the Word during their battle with the British government, to the mapping of Chicago’s queer spaces within Valerie Taylor’s pulp novels, or the anonymous but likely shared authorship of the nineteenth century queer text Teleny. Queer publishing also often involved fascinating creative tactics for beating the censor, from the act of self-publishing to anonymous authorship as part of a so-called “cloaked resistance.” Collage and repurposing found images and texts were key practices for many queer publishers and authors, from Derek Jarman to the artworks created by the Hazard Press.

This is a fascinating and topical book on publishing history for those interested in how queer people throughout modernity have used literature as an important forum for self-expression and self-actualization when spaces and sites for queer expression were outlawed.  

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Radical Collections
Re-examining the roots of collections, practices and information professions
Edited by Jordan Landes and Richard Espley
University of London Press, 2018
Available as free PDF download at http://humanities-digital-library.org/index.php/hdl/catalog/book/radical_collections Do archivists ‘curate’ history? And to what extent are our librarians the gatekeepers of knowledge? Libraries and archives have a long and rich history of compiling ‘radical collections’- from Klanwatch Project in the States to the R. D. Laing Archive in Glasgow- but a re-examination of the information professions and all aspects of managing those collections is long overdue. This book is the result of a critical conference held at Senate House Library in 2017. The conference provided a space to debate the issues and ethics of collection development, management and promotion. This book brings together some key papers from those proceedings. It shines a light on pressing topical issues within library and information services (LIS)- to encompass selection, appraisal and accession, through to organisation and classification, and including promotion and use. Will libraries survive as victims of neoliberal marketization? Do we have a responsibility to collect and document ‘white hate’ in the era of Trump? And how can a predominantly white (96.7%) LIS workforce effectively collect and tell POC histories?
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